When I watch
my students, it seems that they have a need for constant
entertainment: they come to class listening to music on
their iPods and they only remove the earplugs seconds
before class starts; whenever I get into a conversation
with one of my students about their plans for the
weekend, I get to hear about video games that seem
completely meaningless to me. I used to try not to judge
this behavior and think of it as a sign of approaching
middle age on my part. However, the other day I realized
that this need for entertainment might have reached a
level that interferes with my role as an educator. A
student in one of my upper-level classes asked me why I
had not scheduled a movie on the syllabus. While I do
not think that showing a relevant movie (and
subsequently discussing it!) would be out of place even
in an upper-level philosophy class, I find the
expectation of a “movie experience” troubling.
It is
troubling because it is an expression of the desire to
be entertained and I am not sure how to respond to it.
Sometimes it is very tempting to give in to this
expectation and to provide some entertainment. Students
like it, which translates into better course evaluations
and for me it is less work because I don’t have to
prepare or grade anything for class. I don’t mean to
suggest that showing movies has to be entertainment.
There is a whole legitimate subject called the study of
film where movies are treated like literature and are
studied accordingly. Instead, I am worried about using
movies in order to make points that could be learned
from reading, well, books and journal articles. For
example, there is now a whole range of textbooks that
teach Intro to Philosophy through movies. On some level
this works great: in order to make a point about Plato’s
“Allegory of the Cave” or Descartes’ “Evil Demon” I can
show the first of the “Matrix” films and point out
references to the history of philosophy in between
scenes of Keanu Reeves engaging in acts of gratuitous
violence. Who would have thought that philosophy could
be so cool?
Sometimes I
can make a point by showing an older movie or even a
foreign movie with subtitles but that is pushing it. (I
once showed parts of the movie “Gandhi” and received the
comment “boring movie” on the evaluations.) It is
wonderful if students get to appreciate movies that they
probably would not have encountered otherwise, but then
I am supposed to teach them philosophy, not how to
develop good taste in movies.
It’s not
just movies: many aspects of pop-culture (especially TV)
are pounced upon by publishers and turned into, for
example, a book series called “X and Philosophy” where
“X” stands for such popular cultural icons as “The
Simpsons”, “The X-Files” or “Harry Potter”
(incidentally, the first book in the series was “The
Matrix and Philosophy”). This is a great way to
communicate to the public, particularly high-school
students looking for a college major, the value of
philosophy but is it appropriate at the college level?
Why does every intellectual pursuit have to be relatable
to what we see on TV or in the movie theatre? Of course
I want students to be able to relate what they learn to
their real life experiences. However, I worry that too
many of their experiences are dictated by the
entertainment industry.
One concern
that literally keeps me up at night is how to make sure
that study abroad experiences are not just glorified
sight-seeing trips that provide an entertaining glimpse
of another culture. I take students to India on a
regular basis to study Indian philosophy. Many of the
students who go have never been outside of the US and
when they get to India for the first time they want to
do the kinds of things that tourists do instead of
sitting in a classroom doing what they have been doing
back home. In many ways I can sympathize with this. For
many students, this might be the only time when they are
overseas for more than a week and naturally they want to
make the most of it. In this case it means that they
want to be entertained by their host culture. However,
as a teacher I am trying to get them to understand that
studying aspects of a culture in the classroom with
students and professors from that culture is a much more
rewarding experience in the long run because it is
something that they are not able to do as tourists.
While visiting the Taj Mahal or the ancient ruins of
Hampi is no doubt worthwhile, it is precisely the
sharing of an everyday activity, such as learning
together in the classroom, with people from another
culture that makes studying abroad such a rich and
rewarding experience.
I don’t even
want to start talking about my own role as a performer
and entertainer in the classroom, which requires me to
keep up with the pop-culture I tried to get away from
when I decided to enter academia, so that I can pepper
my classes with entertaining references. As always, it’s
a question of finding the right balance. But now I have
to grab my copy of Plato’s Dialogues and my light-saber
and get ready for class. Today we are going to learn
about Luke Skywalker’s ethical dilemma when he finds out
that Dearth Vader is his father…or perhaps I should try
to find a real life example.
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