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Current Issue

 

Volume 34, Number 3

2006

 

 

FOUNDING EDITORS:

James M. Welsh

Tom Erskine

CONTRIBUTING
EDITORS:

Frank Burke
Queens University,
Ontario

Linda Costanzo Cahir
Kean University

W. Gardner Campbell
University of Mary Washington

Carol M. Dole
Ursinus College

Wendy Everett
University of Bath

Barry K. Grant
Brock University

David L. Kranz
Dickinson College

Thomas M. Leitch
University of Delaware

Peter Lev
Towson University

Brian McFarlane
Monash University,
Melbourne

Walter C. Metz 
Montana State University

Kenneth S. Nolley
Willamette University

Rebecca Pauly
West Chester University

Maarten L. Pereboom

Salisbury University

Gene D. Phillips, S.J.
Loyala University
of Chicago 

Laurence Raw 
Baskent University, Turkey 

Peter C. Rollins
Oklahoma State
University

Kenneth S. Rothwell
University of Vermont

Neil Sinyard
University of Hull

J.P. Telotte
Georgia Institute
of Technology

Richard Vela
University of North Carolina, Pembroke

Wallace S. Watson
Duquesne University

Donald M. Whaley
Salisbury University


 

  These essays appear in our latest issue.  To order a copy, click here.

Table of Contents, 34:3 (2006)

David T. Johnson, Letter from the Editor:  "Summer of Adaptations"

Marc Weinberg, "Screenwriters on Adaptation:  An Interview with Robin Swicord"

Jason W. Stevens, "Insurrection and Depression-Era Politics in Selznick's A Tale of Two Cities (1935)"

Jeremy Strong, "Tess, Jude, and the Problem of Adapting Hardy"

Kate Newell, "Washington Square's "virus of suggestion":  Source Texts, Intertexts, and Adaptations"

Tina Olsin Lent, "'My Heart Belongs to Daddy':  The Fictionalization of Baroque Artist Artemisia Gentileschi in Contemporary Film and Novels"

Hubert I. Cohen, "The Art of Asking Forgiveness:  Sunday's Children"

Eric G. Wilson, "Gnostic Paranoia in Proyas's Dark City"

Martin Harris, "Hammett's Flitcraft Parable, The Stepfather, and the Significance of Falling Beams"