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Current Issue
Table of Contents, 41:2 (2013)
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Elsie Walker (Salisbury University)
Editorial: Adaptation as Re-reading, Line by Line
Hugh H. Davis (Saint Mary’s School)
“Rounded with A Sleep”: Prospero’s Dream
in Derek Jarman’s The Tempest
Elizabeth Klett (University of Houston Clear Lake)
The Heart of the Mystery: Surveillance in Michael Almereyda
and Gregory Doran’s Films of Hamlet
Jeff W. Marker (University of North Georgia)
Orson Welles’s Macbeth: Allegory of Anticommunism
Donovan Sherman (Seton Hall University)
Stages of Revision: Textuality, Performance,
and History in Anonymous
Greg Colón Semenza (University of Connecticut)
Radical Reflexivity in Cinematic Adaptation: Second Thoughts
on Reality, Originality, and Authority
Peter C. Kunze (Louisiana State University)
Book Review: Hitchcock at the Source: The Auteur as Adaptor
Thomas Leitch (University of Delaware)
Book Review: A Theory of Adaptation
Laurence Raw (Başkent University, Ankara, Turkey)
Book Review: Welsh Mythology and Folklore in Popular Culture
Antonio Sanna (Università degli Studi di Cagliari, Italy)
Book Review: Hideous Progeny: Disability,
Eugenics, and Classic Horror Cinema
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