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Table of Contents, 41:2 (2013)

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Elsie Walker (Salisbury University) 

Editorial: Adaptation as Re-reading, Line by Line

Hugh H. Davis (Saint Mary’s School)

“Rounded with A Sleep”: Prospero’s Dream in Derek Jarman’s The Tempest

Elizabeth Klett (University of Houston Clear Lake)

The Heart of the Mystery: Surveillance in Michael Almereyda and Gregory Doran’s Films of Hamlet

Jeff W. Marker (University of North Georgia)

Orson Welles’s Macbeth: Allegory of Anticommunism

 Donovan Sherman (Seton Hall University)

Stages of Revision: Textuality, Performance, and History in Anonymous

Greg Colón Semenza (University of Connecticut)

Radical Reflexivity in Cinematic Adaptation: Second Thoughts on Reality, Originality, and Authority

Peter C. Kunze (Louisiana State University)

Book Review: Hitchcock at the Source: The Auteur as Adaptor

Thomas Leitch (University of Delaware)

Book Review: A Theory of Adaptation

 Laurence Raw (Başkent University, Ankara, Turkey)

Book Review: Welsh Mythology and Folklore in Popular Culture

Antonio Sanna (Università degli Studi di Cagliari, Italy)

Book Review: Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema

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