Welcome to Literature/Film Quarterly
Elsie Walker on "Adaptations as Embodiments of Interpretation," Victoria de Zwaan on Fidelity and Midnight’s Children, Matt Harle on The Proust Screenplay and the Harold Pinter Archive, Vivian Kao on Orlando, Jennifer Kirby on A Clockwork Orange, Joy McEntee on The Manchurian Candidate, and Laurence Raw, in a book review, on Adaptation Theory and Criticism: Postmodern Literature and Cinema in the USA.
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Literature/Film Quarterly is the longest standing academic journal devoted to the study of adaptation; it is edited and published at Salisbury University.
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