2013 Fall

• ENGL 251-001 THE ART OF THE DRAMA
  An introduction to the types of drama in the American, British and Continental traditions. Cannot receive credit for both ENGL 204 and ENGL 251. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement. Meets General Education IB (Prior to Fall 2008: IA).

• ENGL 251-002 THE ART OF THE DRAMA
  An introduction to the types of drama in the American, British and Continental traditions. Cannot receive credit for both ENGL 204 and ENGL 251. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement. Meets General Education IB (Prior to Fall 2008: IA).

• ENGL 413-001 SHAKESPEARE
  A study of the major comedies and histories with an emphasis on the tragedies. May not receive credit for both ENGL 419 and ENGL 413. May be offered for undergraduate or graduate credit. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement. Meets General Education IB (Prior to Fall 2008: IA).

• ENGL 513-002 SHAKESPEARE
  A study of the major comedies and histories with an emphasis on the tragedies. Three hours per week.

Visit the GullNet Logon Page to logon and view the entire schedule of classes.

Article(s)

Harrington, G. M. 
(2009). 
The destroyers in Go Down, Moses. 
Isle: Interdisciplinary Studies in Literature & Environment, 
16(3), 
517-524. 
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Harrington, G. 
(2008). 
'Whose play is it?:' Translating Shakespeare. 
Linguaculture, 
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Harrington, G. M. 
(2007). 
Decoding the Market Figures in The Sound and the Fury. 
Explicator, 
65(2), 
109-111. 
*

Harrington, G. M. 
(2006). 
Galloping Ghosts in Death of a Salesman. 
ANQ: A Quarterly Journal of Short Articles, Notes, & Reviews, 
19(1), 
58-59. 
*

Harrington, G. M. 
(2001). 
Partial articulation: Word play in A Farewell to Arms. 
Hemingway Review, 
20(2), 
59-75. 
*

Harrington, G. M. 
(2001). 
'When the battle's lost & won': The opening of Shakespeare's 1 Henry IV. 
SEDERI: Journal of the Spanish Society for English Renaissance Studies, 
12, 
247-257. 
*

Harrington, G. M. 
(2001). 
The new world order in 4.3 of Macbeth. 
Journal of the Wooden O Symposium, 
1, 
109-117. 
*

Harrington, G. M. 
(1998). 
Woolf's Mrs. Dalloway. 
Explicator, 
56(3), 
144-146. 
*

Harrington, G. M. 
(1996). 
'A plague of all cowards': 'Macomber' & Henry IV. 
The Hemingway Review, 
15(2), 
96-103. 
*

Harrington, G. M. 
(1995). 
Shakespeare's Henry IV, Part 2. 
Explicator, 
53(3), 
131-133. 
*

Harrington, G. M. 
(1993). 
Hemingway's 'God Rest You Merry, Gentlemen.' 
Explicator, 
52(1), 
51-53. 
*

Harrington, G. M. 
(1993). 
Miss Lonelyhearts & Pylon: The influence of anxiety. 
ANQ: A Quarterly Journal of Short Articles, Notes, & Reviews, 
6(4), 
209-211. 
*

Harrington, G. M. 
(1985). 
Distant mirrors: The intertextual relationship of Quentin Compson & Harry Wilbourne. 
The Faulkner Journal, 
1(1), 
41-45. 
*

Harrington, G. M. 
(1985). 
The con-artist in The Wild Palms. 
Dalhousie Review, 
65(1), 
80-88. 
*

Book(s)

Harrington, G. M. (1990). Faulkner's Fables of Creativity: The Non-Yoknapatawpha Novels. Athens, GA: University of Georgia Press.
*

Dissertation(s)

Harrington, G. M. (1985). Fables of creativity: Faulkner's non-Yoknapatawapha novels., University of Toronto.
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Book Chapters

Harrington, G. M. (2002). The smashed mirror: Blanche in A Streetcar Named Desire. B. Ozieblo & M. Lopez-Rodriquez (Eds.), Staging a Cultural Paradigm: The Political & the Personal in American Drama. Brussels, Belgium: P.I.E.-Peter Lang.
*

Harrington, G. M. (2000). "Death of a Salesman" & "King Lear.". T. L. Erskine & J. M. Welsh (Eds.), Video Versions: Film Adaptations of Plays on Video. (82-83, 183.) Westport, CT: Greenwood.
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Please send any updates to smfridie@salisbury.edu.

• Dr. Gary Harrington Named Fulbright Distinguished Chair
  Thursday, August 19, 2010

Visit the Press & Publications site for more information.