Directories
Holloway Hall

Directories

Operator: 410-543-6000

Walker, Elsie

Faculty, English
Holloway Hall (HH) 356
410-677-5329 or ext 75329
emwalkersalisburyedu
Website



Courses  []

2014 Spring

  • ENGL 401-110 STUDIES IN FILM
    Study of a director, period, genre, movement or theme in the area of film. May be repeated twice under different subtitles. Cannot receive credit for both ENGL 325 and ENGL 401. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.
  • ENGL 401-111 STUDIES IN FILM
    Study of a director, period, genre, movement or theme in the area of film. May be repeated twice under different subtitles. Cannot receive credit for both ENGL 325 and ENGL 401. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.
  • ENGL 401-112 STUDIES IN FILM
    Study of a director, period, genre, movement or theme in the area of film. May be repeated twice under different subtitles. Cannot receive credit for both ENGL 325 and ENGL 401. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.
  • ENGL 401-113 STUDIES IN FILM
    Study of a director, period, genre, movement or theme in the area of film. May be repeated twice under different subtitles. Cannot receive credit for both ENGL 325 and ENGL 401. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.
  • ENGL 404-151 INTERNATIONAL CINEMA
    A study of a wide range of films made around the world, with special emphasis on historical development of selected national cinemas, cultural and economic determinants that affect the production of film, and contrasting conventions of film style in contrasting contests of production. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.
  • ENGL 404-152 INTERNATIONAL CINEMA
    A study of a wide range of films made around the world, with special emphasis on historical development of selected national cinemas, cultural and economic determinants that affect the production of film, and contrasting conventions of film style in contrasting contests of production. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.
  • ENGL 594-001 TOPICS IN ENGL: WRIT OR FILM
    Intensive study in language or film. May be repeated for credit in different areas of study.
  • ENGL 594-002 TOPICS IN ENGL: WRIT OR FILM
    Intensive study in language or film. May be repeated for credit in different areas of study.

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Awards, Scholarship & Creative Works:  []

Article(s)

Walker, E. M. 
(In press). 
Hearing the silences (as well as the music) in Michael Haneke's films. 
Music & the Moving Image, 
Walker, E.M. 
(2012). 
Music and the Moving Image and the Value of Praxis.
Music and the Moving Image, 5(2), 1-8.
Walker, E. M. 
(2008). 
Image/Music/Shakespeare. 
Literature Film Quarterly, 
36(2), 
82-84. 
Walker, E. M. 
(2007). 
Untitled. 
Literature-Film Quarterly, 
35(4), 
254-257. 
Walker, E. M. 
(2006). 
Letter from the editor: "Gaining through translation." 
Literature-Film Quarterly, 
34(2), 
82-84. 
Walker, E. M. 
(2006). 
Untitled. 
Literature-Film Quarterly, 
34(4), 
250-251. 
Walker, E. M. 
(2002). 
Now is a time to storm: Julie Taymor's Titus (2000) 
Literature/Film Quarterly, 
30(3), 
194-207. 
Walker, E. M. 
(2001). 
A 'harsh world' of soundbite Shakespeare: Michael Almereyda's Hamlet (2000) 
Entertext Film Journal, 
Walker, E. M. 
(2000). 
An incorrigible music: Ingmar Bergman's Autumn Sonata 
Kinema: A Journal for Film & Audiovisual Media, 
14, 
21-40. 

Book Chapters

Walker, E. M. (2009). Julie Taymor's Titus (1999), ten years on. Hatchuel, S. & Vienne-Guerrin, N. (Eds.), Shakespeare on Screen: The Roman Plays (23-66.) France: Publications des Universites de Rouen et du Havre.
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Walker, E. M. (2009). Julie Taymor's Titus (1999), ten years on. S. Hatchuel & N. Vienne-Guerrin (Eds.), Shakespeare on Screen: The Roman Plays. (23-66.) France: Publications des Universites de Rouen et du Havre.
Walker, E. M. (2007). Pop Goes the Shakespeare: Baz Luhrmann's William Shakespeare's Romeo & Juliet. P. Lev & J. M. Welsh (Eds.), The Literature/Film Reader: Issues of Adaptation (125-148.) Scarecrow Press.
Walker, E. M. (2007). Pop goes the Shakespeare: Baz Luhrmann's William Shakespeare's Romeo + Juliet. Lev, P. & Welsh, J. M. (Eds.), The Literature/Film Reader: Issues of Adaptation (125-148.) Scarecrow Press.
Walker, E. M. (2006). Authorship: Getting Back to Shakespeare: Whose Film is it Anyway?. D. Henderson (Eds.), Concise Companion to Shakespeare on Screen (8-30.) Blackwell Publishers.
Walker, E. M. (2006). Authorship: Getting back to Shakespeare: Whose film is it anyway?. Henderson, D. (Eds.), Concise Companion to Shakespeare on Screen (8-30.) Blackwell Publishers.
Walker, E. M. (2000). The Aesthetic construction of musical forms in Prospero's books. Stalpaert, C. (Eds.), Peter Greenaway's Prospero's Books. Studies in Performing Arts & Film series. (161-179.) Belgium: University of Ghent.
Walker, E. M. (2000). The aesthetic construction of musical forms in Prospero's books. C. Stalpaert (Eds.), Studies in performing arts & film (161-179.) Belgium: University of Ghent.

Edited Books

Walker, E. & Johnson, D. (2008). Conversations with Directors: An Anthology of Interviews from Literature/Film Quarterly. Lanham MD: Scarecrow Press.

Other

E. Walker, Coeditor in Chief & D. Johnson, Coeditor. (2010). Literature/Film Quarterly. , Salisbury, MD.
Walker, E.M. (2010). The Piano (Jane Campion, 1993) in American Movies & Culture (encyclopedia).. 
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Walker, E. & Johnson, D. (2008). State of Film Studies & its Application in Life. Interview with Marlon Wallace.. Presented at WBOC-TV
Walker, E. M. (2003). Early modern texts, postmodern statements & 10 reviews for books on Shakespeare films for the Blackwell Publishers Literature Compass database. 

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Please send any updates to lahanscom@salisbury.edu.





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