2013 Fall

• ENGL 220-010 INTRODUCTION TO FILM
  Introduction to the art of film. Concepts of organization, structure, and editing techniques through viewing and discussing short films. Literary and dramatic influences in feature films. Cannot receive credit for both ENGL 121 and ENGL 220. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement. Does not meet General Education Requirements.

• ENGL 220-011 INTRODUCTION TO FILM
  Introduction to the art of film. Concepts of organization, structure, and editing techniques through viewing and discussing short films. Literary and dramatic influences in feature films. Cannot receive credit for both ENGL 121 and ENGL 220. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement. Does not meet General Education Requirements.

• ENGL 324-010 FILM GENRE
  An introduction to the concept of film genre and to the study of specific film genres including comedies, musicals, westerns, gangster films, horror films and science fiction films. Cannot receive credit for both ENGL 324 and ENGL 403. May be offered for undergraduate or graduate credit. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.

• ENGL 324-011 FILM GENRE
  An introduction to the concept of film genre and to the study of specific film genres including comedies, musicals, westerns, gangster films, horror films and science fiction films. Cannot receive credit for both ENGL 324 and ENGL 403. May be offered for undergraduate or graduate credit. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.

Visit the GullNet Logon Page to logon and view the entire schedule of classes.

Article(s)

Walker, E. M. 
(In press). 
Hearing the silences (as well as the music) in Michael Haneke's films. 
Music & the Moving Image, 
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Walker, E. M. 
(2008). 
Image/Music/Shakespeare. 
Literature Film Quarterly, 
36(2), 
82-84. 
*

Walker, E. M. 
(2007). 
Untitled. 
Literature-Film Quarterly, 
35(4), 
254-257. 
*

Walker, E. M. 
(2006). 
Letter from the editor: "Gaining through translation." 
Literature-Film Quarterly, 
34(2), 
82-84. 
*

Walker, E. M. 
(2006). 
Untitled. 
Literature-Film Quarterly, 
34(4), 
250-251. 
*

Walker, E. M. 
(2002). 
Now is a time to storm: Julie Taymor's Titus (2000) 
Literature/Film Quarterly, 
30(3), 
194-207. 
*

Walker, E. M. 
(2001). 
A 'harsh world' of soundbite Shakespeare: Michael Almereyda's Hamlet (2000) 
Entertext Film Journal, 
*

Walker, E. M. 
(2000). 
An incorrigible music: Ingmar Bergman's Autumn Sonata 
Kinema: A Journal for Film & Audiovisual Media, 
14, 
21-40. 
*

Book Chapters

Walker, E. M. (2009). Julie Taymor's Titus (1999), ten years on. Hatchuel, S. & Vienne-Guerrin, N. (Eds.), Shakespeare on Screen: The Roman Plays (23-66.) France: Publications des Universites de Rouen et du Havre.
*

Walker, E. M. (2009). Julie Taymor's Titus (1999), ten years on. S. Hatchuel & N. Vienne-Guerrin (Eds.), Shakespeare on Screen: The Roman Plays. (23-66.) France: Publications des Universites de Rouen et du Havre.
*

Walker, E. M. (2007). Pop Goes the Shakespeare: Baz Luhrmann's William Shakespeare's Romeo & Juliet. P. Lev & J. M. Welsh (Eds.), The Literature/Film Reader: Issues of Adaptation (125-148.) Scarecrow Press.
*

Walker, E. M. (2007). Pop goes the Shakespeare: Baz Luhrmann's William Shakespeare's Romeo + Juliet. Lev, P. & Welsh, J. M. (Eds.), The Literature/Film Reader: Issues of Adaptation (125-148.) Scarecrow Press.
*

Walker, E. M. (2006). Authorship: Getting Back to Shakespeare: Whose Film is it Anyway?. D. Henderson (Eds.), Concise Companion to Shakespeare on Screen (8-30.) Blackwell Publishers.
*

Walker, E. M. (2006). Authorship: Getting back to Shakespeare: Whose film is it anyway?. Henderson, D. (Eds.), Concise Companion to Shakespeare on Screen (8-30.) Blackwell Publishers.
*

Walker, E. M. (2000). The Aesthetic construction of musical forms in Prospero's books. Stalpaert, C. (Eds.), Peter Greenaway's Prospero's Books. Studies in Performing Arts & Film series. (161-179.) Belgium: University of Ghent.
*

Walker, E. M. (2000). The aesthetic construction of musical forms in Prospero's books. C. Stalpaert (Eds.), Studies in performing arts & film (161-179.) Belgium: University of Ghent.
*

Edited Books

Walker, E. & Johnson, D. (2008). Conversations with Directors: An Anthology of Interviews from Literature/Film Quarterly. Lanham MD: Scarecrow Press.
*

Other

E. Walker, Coeditor in Chief & D. Johnson, Coeditor. (2010 +). Literature/Film Quarterly. , Salisbury, MD.
*

Walker, E.M. (2010). The Piano (Jane Campion, 1993) in American Movies & Culture (encyclopedia).. 
*

Walker, E. & Johnson, D. (2008). State of Film Studies & its Application in Life. Interview with Marlon Wallace.. Presented at WBOC-TV
*

Walker, E. M. (2003). Early modern texts, postmodern statements & 10 reviews for books on Shakespeare films for the Blackwell Publishers Literature Compass database. 
*

* * *

Please send any updates to smfridie@salisbury.edu.

• Adventures in Ideas Series Explores 'Film, Media and Society Today' February 4
  Friday, January 13, 2012
•  'Lit/Film Quarterly' Editors Pen 'Conversations With Directors'
  Monday, January 05, 2009
•  Walker Continues Brown Bag Series With Talk on Hitchcock Adaptation
  Monday, November 06, 2006

Visit the Press & Publications site for more information.