2013 Fall

• ENGL 221-010 LITERATURE & FILM
  The relation of film to literature as narrative, dramatic and poetic means of expression; the translation of literary works into film. May not receive credit for both ENGL 322 and 221. Prerequisite: C or better in ENGL 102 or 103. Two hours lecture, two hours screening per week with enhancement. Meets General Education IB (Prior to Fall 2008: IA)..

• ENGL 221-011 LITERATURE & FILM
  The relation of film to literature as narrative, dramatic and poetic means of expression; the translation of literary works into film. May not receive credit for both ENGL 322 and 221. Prerequisite: C or better in ENGL 102 or 103. Two hours lecture, two hours screening per week with enhancement. Meets General Education IB (Prior to Fall 2008: IA)..

• ENGL 401-010 STUDIES IN FILM
  Study of a director, period, genre, movement or theme in the area of film. May be repeated twice under different subtitles. Cannot receive credit for both ENGL 325 and ENGL 401. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.

• ENGL 401-011 STUDIES IN FILM
  Study of a director, period, genre, movement or theme in the area of film. May be repeated twice under different subtitles. Cannot receive credit for both ENGL 325 and ENGL 401. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.

• ENGL 402-010 FILM HISTORY
  The history of motion pictures with a focus on technical and artistic trends and the work of important artists and directors. Cannot receive credit for both ENGL 321 and ENGL 402. May be offered for undergraduate or graduate credit. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.

• ENGL 402-011 FILM HISTORY
  The history of motion pictures with a focus on technical and artistic trends and the work of important artists and directors. Cannot receive credit for both ENGL 321 and ENGL 402. May be offered for undergraduate or graduate credit. Prerequisite: C or better in ENGL 102 or 103. Three hours per week with enhancement.

• ENGL 516-151 FILM HISTORY
  The history of motion pictures with a focus on technical and artistic trends and the work of important artists and directors. Three hours per week.

• ENGL 516-152 FILM HISTORY
  The history of motion pictures with a focus on technical and artistic trends and the work of important artists and directors. Three hours per week.

Visit the GullNet Logon Page to logon and view the entire schedule of classes.

Article(s)

Johnson, D. 
(2009). 
Criticism, crisis, & adaptation 
Literature Film Quarterly, 
37(1), 
2-4. 
*

Johnson, D. T. 
(2009). 
Playgrounds of unlimited potential: Adaptation, documentary, & Dogtown & Z-Boys. 
Adaptation: The Journal of Literature on Screen Studies, 
2(1), 
1-16. 
*

Johnson, D. T. 
(2009). 
Criticism, crisis, & adaptation. 
Literature/Film Quarterly, 
37(1), 
*

Johnson, D. T. 
(2009). 
Peter Parker, Mary Jane, & adaptation 
Literature/Film Quarterly, 
37(3), 
*

Johnson, D. 
(2008). 
No country for adaptations. 
Literature Film Quarterly, 
36(1), 
2-3. 
*

Johnson, D. 
(2008). 
After adaptation. 
Literature Film Quarterly, 
36(3), 
162-163. 
*

Johnson, D. T. 
(2008). 
You must never listen to this: Lessons on sound, cinema, & mortality from Herzog's Grizzly Man. 
Film Criticism, 
32(3), 
68-82. 
*

Johnson, D. 
(2007). 
Truffauts wonderful certainties. 
Literature Film Quarterly, 
35(3), 
168-169. 
*

Johnson, D. 
(2007). 
Directors on adaptation: A conversation with Richard Linklater. 
Literature Film Quarterly, 
35(1), 
338-341. 
*

Johnson, D. T. 
(2006). 
Engaging film criticism. 
Literature-Film Quarterly, 
34(4), 
332-333. 
*

Johnson, D. T. 
(2006). 
Summer of adaptations (Film adaptations of television shows, comic books & novels). 
Literature-Film Quarterly, 
34(3), 
170-171. 
*

Awards(s)

David Johnson (2012). Distinguished Faculty Award - Salisbury University, Salisbury, MD.
*

Book(s)

Johnson, D.T. (2012). Richard Linklater. Champaign IL: University of Illinois Press.
*

Presentations

Johnson, D. T. (2009). "Time is a Lie": Aging, cinema, & Richard Linklater's Before Sunset. Presented at the National Popular Culture Association/American Culture Association conference. Presented at National Popular Culture Association/American Culture Association Conference, New Orleans, LA.
*

Johnson, D. T. (2009). Adapting reality: Digital rotoscoping as adaptation in the films of Richard Linklater. Presented at the 2009 Literature/Film Association Conference. Presented at Literature/Film Association, Dickinson College, Carlisle, PA.
*

Book Chapters

Johnson, D. T. (2008). Critical hearing & the lessons of Abbas Kiarostami's Close-up. Jay Beck & Tony Grajeda (Eds.), Lowering the boom: New essays on the theory & history of film sound. (289-298.) Urbana, IL: University of Illinois Press.
*

Edited Books

Walker, E. & Johnson, D. (2008). Conversations with Directors: An Anthology of Interviews from Literature/Film Quarterly. Lanham MD: Scarecrow Press.
*

Other

E. Walker, Coeditor in Chief & D. Johnson, Coeditor. (2010 +). Literature/Film Quarterly. , Salisbury, MD.
*

Walker, E. & Johnson, D. (2008). State of Film Studies & its Application in Life. Interview with Marlon Wallace.. Presented at WBOC-TV
*

* * *

Please send any updates to smfridie@salisbury.edu.

• Johnson Earns 2012 SU Distinguished Faculty Award
  Tuesday, August 28, 2012
• SU's Johnson Explores Films of Richard Linklater in New Book
  Friday, June 01, 2012
• Adventures in Ideas Series Explores 'Film, Media and Society Today' February 4
  Friday, January 13, 2012
•  'Lit/Film Quarterly' Editors Pen 'Conversations With Directors'
  Monday, January 05, 2009
•  SU Announces 22 New Faculty
  Friday, September 10, 2004

Visit the Press & Publications site for more information.