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Dr. Leland Starnes served as Director of the Salisbury
State Theatre from 1972 to
1980.
Prior to joining the faculty at Salisbury State College
(now Salisbury University), Starnes
was director of the Theatre and Associate
Professor of Speech and Theatre Arts at the University of
Pittsburgh. Before going to Pittsburgh, he directed the Yale
University undergraduate dramatic organization, the Yale Dramatic
Association. He also directed a summer school for apprentices at the
summer theatre in Williamstown, Massachusetts where he directed and
acted professionally. Earlier in his career he wrote and directed
for WUNC-TV in Greensboro, North Carolina, and for WGBU in
Cambridge, Massachusetts where he also served as acting program
manager for the summer.
Dr. Starnes accepted a position at Salisbury State College delighted by the
opportunity to work more closely with students in an intimate atmosphere. On
deciding to leave Yale, Starnes explained, "I had considered the likelihood that if I left Yale,
I should go to a small college. I wanted to be more creatively involved with
students." Upon arriving at Salisbury, Dr. Starnes said, "I loved Salisbury
the first time I saw it. There is a happy ambiance."
During his tenure at Salisbury University, Dr. Starnes brought theatre to
new heights, earning accolades from the critics and praise from the
community. Coupled with the efforts of Robert Cloyd, his
Scene Designer,
Leland Starnes created theatrical experiences often compared to
Broadway productions. As one theatre critic stated after viewing Neil
Simon’s Star Spangled Girl, "I have seen professionals do the Star
Spangled Girl, and it was amusing. At Salisbury State, I came out in
shock. The evening once again belongs to director Leland Starnes…"
After eight magical seasons Leland Starnes passed away, leaving a legacy of creative excellence.
The Leland Starnes Papers consists mainly of production files created
during his tenure as Director of the Salisbury
State Theatre at Salisbury
State College.
The files include prompt scripts, notes, photographs, slides, audio reels,
cast lists, rehearsal schedules, stage designs, programs, sound plots,
posters, sound recordings, and news clippings. Also included in the
collection are personal mementoes, organizational literature and
some correspondence.
Some of his noteworthy productions include:
The Miracle Worker, 1973 |
Waiting for Godot, 1975 | Our
Town, 1976 | Twelfth Night, 1977
The Country Wife, 1978 |
Once Upon a Mattress, 1978 |