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Current Issue

 

Table of Contents, 37:4

 

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Elsie M. Walker (Salisbury University)

   Letter from the Editor: Understanding Adaptation, Without Bounds  [Full Text Online]  

 

Dale T. Adams (Lee College, Texas)

   Twice Convicted, Once Executed: A Literary Naturalist’s Interpretation

of Richard Brooks’s Film In Cold Blood

 

Thomas L. Cooksey (Armstrong Atlantic State University, Georgia)

   “The Man of the Day to Follow”: Dani Kouyaté’s Keita! and the Living Epic

 

Antony Johae (Kuwait University)

   Reading Carnival into Notting Hill

 

Christopher J. Knight (University of Montana)

   “For Once, Then, Something”: Krzysztof Kieślowski’s

   The Double Life of Véronique and the Apophatic Beyond

 

Eric Paul Meljac (Indiana University of Pennsylvania)

   Dead Silence: James Joyce’s “The Dead” and John Huston’s

   Adaptation as Aesthetic Rivals

 

Thomas Van Parys (University of Leuven, Belgium)

   The Commercial Novelization: Research, History, Differentiation

 

Todd Borlik (Bloomsburg University, Pennsylvania)

   Review: Shakespeare on Screen 101 [Review of Shakespeare on Film:  A Norton Guide, by Samuel

   Crowl]

 

Jim Welsh (Co-Founding Editor, LFQ)

   Review: An Overdue Book for a Neglected Filmmaker [Review of All My Loving?  The Films of Tony

   Palmer, by John Tibbetts]