The International Journal of Adaptation Studies • Established 1973
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Literature/Film
Quarterly The International Journal of Adaptation Studies • Established 1973 |
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Back Issues
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Below is a list of issues; click here for an order form.
Issues:
1973 - 1974 - 1975 - 1976 - 1977 - 1978 - 1979 - 1980 - 1981 - 1982
1983 - 1984 - 1985 - 1986 - 1987 - 1988 - 1989 - 1990 - 1991 - 1992
1993 - 1994 - 1995 - 1996 - 1997- 1998 - 1999 - 2000 - 2001 - 2002
2003 - 2004 - 2005 - 2006 - 2007
Vol. I (1973)
No. 1
D.H. Lawrence Special Issue
No. 2
Jonas Mekas Interview; Herman Weinberg; Neil Isaacs; Edward Murray
No. 3
Andrew Sarris Interview, Pt. 1; T.J. Ross on Truffaut; James Naremore on
Huston
No. 4
Shakespeare on Film I
Vol. II (1974)
No. 1
Sarris Interview, Pt. 2; Eidsvik; Vivian Sobchack, Death in Venice
No. 2
Julian Smith and others on Hawthorne; M. Yacowar on Group Stereotyping; A.
Zambrano and others on Dickens
No. 3
Julian Smith on Orson Welles; Edward T. Jones and Irene Atkins on Gatsby
No. 4
Graham Greene Special Issue
Vol. III (1975)
Nos. 1, 2, 4 - OUT OF PRINT
No. 3
T. Sobchack on Genre Film; M. Anderegg on Conrad and Hitchcock
Vol. IV (1976)
No. 1
Billy Wilder Interview; J. Schultheiss on Screenwriters; Giannetti on
Zinnemann
No. 2 - OUT OF PRINT
No. 3
Stephen Bowles on The Exorcist and Jaws; Yacowar on Hawks
No. 4
Peter Watkins on Punishment Park; Herman Weinberg "On Style"
Vol. V (1977)
Nos. 1, 4 - OUT OF PRINT
No. 2
John Schlesinger Interview; Atkinson on Last Tycoon; Gomez on
Performance
No. 3
Allen Thiher on "Early Truffaut"; John Snyder on the Spy Story
Vol. VI (1978)
Nos. 1, 2 - OUT OF PRINT
No. 3
Altman and Kopit; Buchan and Hitchcock; Wodehouse; Fitzgerald; West; D.W.
Griffith; and Don Siegel
No. 4
Science Fiction Special Issue: Robert Wise Interview; Essays on Star Wars, The
Man Who Fell to Earth, Gravity's Rainbow
Vol. VII (1979)
Nos. 1, 2, 3 - OUT OF PRINT
No. 4
Polon Interview-Essay; Deer Hunter; Murnau, Marsha McCreadie on
Julia
Vol. VIII (1980)
No. 1
British Directors: Clouds of Glory, Third Man,
Schlesinger, Richardson, Anderson
No. 2
European Directors: Truffaut, Bergman, Fellini, Ridley Scott
No. 3
Genre and Theory: J. Telotte on the Horror Film; A. Gordon on Close
Encounters; Eberwein on Point of View
No. 4
Brook's Lear; Zeffirelli's Shrew; Woyzeck/ and Kaspar
Vol. IX (1981)
No. 1
Brechtian Devices in Culloden; Carrie, Daisy Miller,
Day of the Locust
No. 2
Thomas Hardy on Film: Tess and Madding Crowd; Decor as
Theme in
Clockwork Orange; Kazan's Pinky
No. 3
Antonioni's Eclipse; Herzog's Woyzeck; Frank Capra Interview;
Two Treatments of The Long- Distance Runner
No. 4
Wise Blood; Providence; Barry Lyndon; Weir on Gallipoli;
Streetcar Named Desire; and Oz Revisited
Vol. X (1982)
No. 1
Bruce Kawin on self-consciousness; Proust and Pinter; Unamuno and Bergman;
Lewton and Stevenson
No. 2
Ragtime; Cannery Row; French Lieutenant's Woman; René Clair interview;
Cocteau; Fellini
No. 3
Genre Issue, with bibliography; Film and Classical Genre; allegory and
science fiction
No. 4
Interviews with Fellini, Syberberg, Rohmer, Leacock, and Manoulian
Vol. XI (1983)
No. 1
Ordinary People; Deer Hunter; H.D., Agee and Crane; Capra and Altman
No. 2
Henry James on Film; Rohmer's Perceval; Alan Sharp Interview; Lubitsch
and Wilde; Richardson; Visconti
No. 3
Shakespeare on Film IV
No. 4
British Issue: Roeg, Hudson, Richardson, Hitchcock. Interviews: Peter Watkins
and Christopher Miles
Vol. XII (1984)
No. 1
The Shining; Saboteur; Bertolucci; Bergman; Adapting Zola
No. 2
French Cinema: Truffaut, Cocteau, Clair, Duras. Daniel Boulanger Interview.
Also: Rohmer and Arrabal
No. 3
Chaplin and Woody Allen; The Glass Key; Crossfire; The Trial; Double
Indemnity
No. 4
Dmytryk Interview; French Lieutenant; Wise Blood; Lolita;
Monroe as Sex Symbol
Vol. XIII (1985)
No. 1
E. Ann Kaplan on Hemingway and Hollywood; Morris Beja on Orson Welles;
Griffith and Hardy; Doctorow; Cummings; Visconti
No. 2
Bergman, Hawks, Kurosawa, Woody Allen; Shakespeare, Dickens, James M. Cain
No. 3
Genre Issue: Wes Craven on Horror; Comedy (Marx Bros., Zelig); SciFi (Blade
Runner)
No. 4
German Cinema: Schlöndorff, Herzog, Wenders, Fassbinder, Lang's Siegfried
Vol. XIV (1986)
No. 1
DeMille's Autobiography; Michael Pursell on "Screenspeak"; Marguerite Duras's
Le Navire "Night"; Maya Deren, Imagist; Royal Brown on Vertigo;
Thomas Leitch on Secret Agent and Sabotage; Fort Apache, the
Bronx; The Black Hole
No. 2
Genre Issue: Texas in the Movies; Ford's Military Trilogy; Blade Runner,
The Shining, Raging Bull, et al.
No. 3
Passages to India; H.G. Wells, Science Fiction + Cinema; Fellini's 8 1/2;
Gal Young Un
No. 4
Shakespeare, Theatre, Film, and Television; Shaun Sutton Interview;
Zeffirelli's
Romeo and Juliet; Two Lears; Comedy of Errors; Macbeth; Amadeus
Vol. XV (1987)
No. 1
Marcela Fernandez Violante Interview; Fowles; Conrad; Henry James; Lean's
Zhivago; Vonnegut; Bierce; Hitchcock
No. 2
The Mission and Robert Bolt; The Fellini World; Herzog's Stroszek
Narrative Innovation in Edvard Munch; Bergman's Persona
No. 3
Breaker Morant; The Road Warrior; Eastwich; Rashomon; Kiss of the
Spider Woman; Woody Allen's Comic Irony
No. 4
Interview: Stanley Kauffmann; Modern Times; Murder My Sweet; Double
Indemnity;
Fiction and Film Bibliography
Vol. XVI (1988)
No. 1
The Searchers; Peckinpah's Heroes; Kazan as Auteur; Woody Allen's
Purple Rose and Hannah and Her Sisters; The Night of the
Hunter
No. 2
The Last Tycoon; Blue Velvet; American Gigolo; The Day of the Locust; The
Maltese Falcon; Michael Arlen Interview
No. 3
Narration in French Lieutenant's Woman; Performance in Diva;
Autobiography in Bergman; Adaptation of Cyrano de Bergerac; American
Friend; Marquise of O; Death in Venice; Towards a Theory of Shakespeare
on Film
No. 4
Focus on Vietnam Films and Full Metal Jacket
Vol. XVII (1989)
No. 1
Horton Foote's Career; J. Telotte on Film Noir; Woody Allen, Chaplin,
Hitchcock, Lumet
No. 2
Robbe-Grillet Interview; The Dead, Maurice, Sammy & Rosie; Magic
Realism on Film
No. 3
Foreign Cinema: Von Trotta, Herzog, Duvivier, Wertmüller, et al.
No. 4
American Cinema: The Accused, Heaven's Gate, Grapes of Wrath, Sierra
Madre, Maltese Falcon
Vol. XVIII (1990)
No. 1
Blade Runner Issue
No. 2
Silent Cinema Issue: D.W. Griffith, Fritz Lang, Erich von Stroheim, et al.
No. 3
Cult Issue: Blue Velvet, Casablana Remakes & Fanzines
No. 4
Serialism in Robbe-Grillet; Tin Drum; Berlin Alexanderplatz; Mephisto;
Wenders's Truffaut; Tati; Black Identity in Australian Films
Vol. XIX (1991)
No. 1
Drama into Film Issue: Picnic (interview essay), Soldier's Story; Death of
a Salesman, Miss Julie, Caberet, Valmont Rednix; Wilde and Lubitsch
No. 2
Comedy/Woody Allen Special; Back to the Future; Joseph Andrews;
Chaplin and Brecht
No. 3
American Literature and Film: The Natural, The Color Purple, Cross Creek,
Huston's Volcano, Close Encounters, The Big Sleep, Angel Heart
No. 4
Empire of the Sun, Daisy Miller, Shop on Main Street, Hitchcock (Psycho
and Shadow of a Doubt), Kaufman/Kundera, Dona Flor, Wings of Desire,
Chekhov Adapted
Vol. XX (1992)
No. 1
Fitzgerald & the Dream Factory; David Lean; Altman Interview; Scorsese;
Heartland; Rashomon; Ontology of the Screenplay; Teenpix
No. 2
Dream Factory II; Jane Eyre Transformed; Buñuel; Wenders; Wadja,
et al
No. 3
Special Vietnam Issue
No. 4
Shakespeare Issue
Vol. XXI (1993)
No. 1
Interviews with Harold Pinter, Clint Eastwood, and Gene Hackman; Mazursky's
Tempest; Satanic Verses as Cinematic Narrative; BBC's Henriad; Damon Runyan;
Jack Clayton; Jane Eyre
No. 2
Australian Cinema Issue, Edited by Brian McFarlane
No. 3
Roman Noir/Film Noir; Third Man; My Left Foot; Singing Detective; Hud;
Himmo, King of Jerusalem
No. 4
Twin Peaks (xerox copies available at $3 each)
Vol. XXII (1994)
No. 1
Wayne Wang interview (Joy Luck Club); Basic Instinct; The Player; Batman
Recycled; Buñuel's Wuthering Heights; The Moderns; Cuckoo's Nest;
Cabaret; Shadows of Forgotten Ancestors
No. 2
Drama (Streetcar, Long Day's Journey, Steel Magnolias); Shakespeare (Ran,
Macbeth, Henry V); Zeffirelli
No. 3
King Lear & Fisher King; Karel Reisz; Sam Fuller; Snake Pit; Stagecoach
No. 4
Wajda Interview; Joan of Paris; Wild River; Jules et Jim; Thousand Pieces
of Gold; Buñuel's Bourgeoisie; Daisy Miller; Devil and Daniel Webster
Vol. XXIII (1995)
No. 1
Tom Whalen on Pulp Fiction; Michael Dunne on Wild at Heart; Frank Manchel
on The Shining; "Open Narrative" in Robbe-Grillet and Wenders
No. 2
Special Issue: 100 Years of Cinema, with Kevin Brownlow, Charles Musser,
Eileen Bowser, Richard Kozarski, Greg Black, et al, Edited by John Tibbetts
No. 3
Bernard Dick on Femmes Fatale; Updike at the Movies; André Bazin
on Pagnol; Sanitizing Zola, et al
No. 4
The Restored Films of Buster Keaton; The Crying Game and Hitchcockian Romance;
Icon and History in Frances, et al.
Vol. XXIV (1996)
No. 1
Civil Rights & Baby Doll; Spielberg's Purple; Racism in The
Letter,
et al.
No. 2
The Blacklisted Abraham Polonsky; Scott Simmon on Wyatt Earp; Ronald Librach
on Life Lessons; Steven Gale on Maltese Falcon, et al.
No. 3
Herzog's Woyzeck; Murnau's Nosferatu; Clouzot's Diaboliques; Saura's Carmen
No. 4
Transcultural Translation in Joy Luck; Year of Living Dangerously; Close
Encounters; Woody Allen, et al.
VOL. XXV (1997)
No. 1
Tom Leitch on Forrest Gump; David Lavery on Forrest Gump; Michael Dunne
on Scarlet Letter; Charles Maland on Chaplin; Tom Whalen on Keaton; Chris
Hudgins on Lolita
No. 2
Shakespeare Issue: Branagh's Hamlet; Jarman's Tempest; Loneraine's
Richard
III; Greenaway's Prospero; et al.
No. 3
Boyle's Trainspotting; Campion's The Piano; Nazi Reality in Ohm
Krueger;
Stone's Doors; The Bostonians, et al.
No. 4
Genre Horror Show: Barry Grant's Bibliography of Horror; also Val Lewton,
David Lynch, Kubrick's The Shining
VOL. XXVI (1998)
No. 1
English Patient; Shadowlands; Ragtime. Western Myth; Unforgiven; SciFi;
Blade Runner; Pulp Fiction
No. 2
Godard; Varda; Duras; Jane Campion; Camille Claudel - Biography as Melodrama
No. 3
Age of Innocence; Sheltering Sky; Third Man; Dressed to Kill/Blow Out; Jacob's Ladder; Beguiled; Bullets Over Broadway
No. 4
English Patient, Revisted; The Oak; Conrad's Nostromo; Antonioni; René Clément & Lewis Carroll;
French Lieutenant's Woman
VOL. XXVII (1999)
No. 1
T. Leitch on the Political Hitchcock; Michael Marsden on Hondo; Sound and the
Fury; Filmic Readings of Edith Wharton; Pinter's Last Tycoon; The Usual Suspects; End of the Road; Oprah's
Beloved
No. 2
Hitchcock's Women on Hitchcock; Americanization of Bennett's George III; Potter's
Orlando; Martha Coolidge Interviewed; Fellini's Casanova; Polanski's
Tess; Intertextuality in Shadowlands; Gender in The Cook, The Thief; Pride and Prejudice on A&E
No. 3
Malick's Thin Red Line; Conrad's Secret Agent; Ang Lee's
Ride with the Devil; Nuclear Frisson; Kurosawa & Gogol; The Fountainhead; Cyrano as Comedy; Brazilian Cinema
No. 4
Pomo Fargo; L.A. Confidential; Godard; Dos Passos; King's
Row; Women's Cinema; etc.
No. 1
The Third Man; Herr's Dispatches; Berkeley Square/Sense of
the Past; Company of Wolves; Mary Reilly; Weir's Fearless; Mamet's
Screenplays; Manchurian Candidate; Cain's Postman; Dinesen
Stories
No. 2
Shakespeare on Film 2000
No. 3
Brian McFarlane: "It wasn't like that in the book"; Pasolini's Medea
& Edipo Re; Pagnol +Sophocles, Manon +Oedipus; Kieslowski's Three
Colors; Truffaut + James, etc.
No. 4
Hitchcock's "Terrible Mothers"; Birds; Psycho; Sabotage;
Murnau's Sunrise; Ambersons; Wizard of Oz; Barton Fink; Camp, Parody
& The Fantastic
No. 1
Alan Parker (3 essays), Terrence Malick, Woody Allen, Gump, "Bitextual
Pleasures"
No. 2
Shakespeare Century: Ken Rothwell's Survey of a Century of Scholarship + 9
essays
No. 3
Terence Davies Interview. J. Telotte on Heinlein, Conrad and Kidron, Kubrick
and Thackeray, African-American Writers
No. 4
Kubrick Issue
No. 1
André Bazin on Literary Adaptation (6 translated reviews); Chekhov’s Uncle Vanya; Benigni’s Life Is Beautiful; Campion’s The Piano; Murnau’s Nosferatu; Wenders’s Wrong Move
No. 2
Fellowship of the Ring; Critical Response in England to Room at the Top; La Dentellière; Regeneration; Persuasion; The Children of Heaven (Neorealism, Iranian style); Almodóvar’s Carne trémula; Dead Man Walking; Cronenberg’s Crash; Ohm Krüger; Cabeza de Vaca; Sugar Cane Alley
No. 3
Shakespeare Issue
No. 4
August Wilson Interview; The Heiress; Isabel Archer; Pasolini’s version of Canterbury Tales; Fellini and Masina; Coppola’s Byronic Dracula; Cruel Intentions; Bulworth; Sunset Boulevard; Ghosts of Mars
No. 1
Orson Welles’s Presence in Stevenson’s Jane Eyre; Manhunter; Rodgers and Hammerstein’s “Chopsticks” Musicals; Sleepy Hollow (4 essays); Oz’s Panther in the Basement; The Hurricane; An Approach to Film Study
No. 2
Theorizing Adaptation, Temporality, and Tense; The Field; The English Patient; La Bête Humaine and Cinécriture; Eréndira; Chinese Cinema: For Fun and The Killer; Alexie’s Smoke Signals and The Lone Ranger and Tonto Fistfight in Heaven; Kieslowski’s Red and Camus’s The Fall; Daniel; Karel Reisz interview
No. 3
Madame Bovary; Metropolitan and Clueless; Mansfield Park (2 essays); The Nightcomers; House of Mirth; The Butcher Boy; Tribute to Dorothy Johnson and Her Cold War-Era Westerns; Howards End; The Sweet Hereafter; Vonnegut and Mother Night
No.4
Kauffmann on Shaw; Hitchcock without Hitchcock; Hitchcock and Mamet; Strangers on a Train; Kubrick and Schnitzler; The Great Gatsby (2 essays); Blue Velvet and Postmodern Parody; Brownlow and Winstanley
No. 1
Opera on Film; The Story of Louis Pasteur and Hurston’s Their Eyes Were Watching God; The Cider House Rules; Bringing Out the Dead; The Treasure of the Sierra Madre; Red River; Tarantino’s Ultimate Professional; The Day of the Locust; Audrey Rose; Possession
No. 2
Shakespeare Issue
No. 3
Amadeus, The Wings of the Dove, The Passion of Joan of Arc/The Messenger, Blade Runner, The Sent-Down Girl, I racconti di Canterbury, A bout de souffle, Annie Hall, Moby Dick, Dracula, The Passion of Mel Gibson
No. 4
Brian Aldiss interview, Patricia Rozema interview, Hanif Kureishi's films and fiction, La Curee, Last Year at Marienbad, The North China Lover, Oedipus Rex, Nostalghia, How to Make an American Quilt, Editorial by Jim Welsh: "The Last Word, after 32 Years, 128 Issues, and "Conversations" with Remarkable People
No. 1
The Third Man and Dracula, Frances, Jon Dos Passos and Bazin, Cinematic Techniques in Modernist Poetry, Spring Silkworm, David Copperfield, Great Expectations, Troy
No. 2
Shakespeare Issue
No. 3
Devil in a Blue Dress and L. A. Confidential, Midnight in the Garden of Good and Evil, Star Trek and Star Wars, Trifles and Legally Blonde, Forbidden Games, Under the Sand, Venice in Film, Review-Essay of Robert Stam volumes on adaptation,, Review of Krin Gabbard's Black Magic
No. 4
No. 1
Screen Narratives, Do the Right Thing, Tigerland and We Were Soldiers, Signs, Eyes Wide Shut, SImøne, The Godfather Part III, Scarface and The Great Gatsby, Book Review: Imagination in Transition: David Mamet's Move to Film
No. 2
Ran, Throne of Blood,, Shakespearean Offshoots, Ophelia, Hamlet, The Tempest, Scotland, PA, Cinematic Apocalypse in Shakespeare films
No. 3
Interview with Robin Swicord, A Tale of Two Cities, Tess and Jude, Washington Square, Artemisia Gentileschi, Sunday's Children, Dark City, The Stepfather
No. 4
Bazin reviews in translation (Jacques Becker), The Wings of the Dove and The Golden Bowl, "Postmodern Mirrors," The Rose Tattoo, Max Ophuls adaptations, Les mains d'Orlac, Ashik-Kerib, Hyenas, Bride and Prejudice, Book Review: Engaging Film Criticism
No. 1
Richard Linklater interview, Apocalypse Now Redux, Taboo (Gohatto), The World of Henry Orient, The Claim and The Mayor of Casterbridge, Looney Tunes, Hannibal, Gone with the Wind, Book Review: Dames in the Driver's Seat: Rereading Film Noir, Book Review: 1000 Films to Change Your Life
No. 2
The Revenger's Tragedy, King Lear as Western Elegy, King Lear as Melodrama, Radford's The Merchant of Venice, Prospero's Books, Shakespeare and Bataan, Brook's King Lear, "Filmi" Shakespeare, Shakespeare Across Time and Media, Latin American Shakespeares
No. 3
Truffaut Rewrites Hitchcock, Truffaut's Fahrenheit 451, The Last Metro and Uranus, The Railway Children, The Virgin Suicides, Film Noir, Adapting Genesis, Le Rouge et Le Noir, Beowulf, Book Review: A Theory of Adaptation
No. 4