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Back Issues
For a limited time, we are selling our back issues for $8.00 per copy.
Below is a list of issues; click here for an order form.
Years:
1973 - 1974 - 1975 - 1976 - 1977 - 1978 - 1979 - 1980 - 1981 - 1982
1983 - 1984 - 1985 - 1986 - 1987 - 1988 - 1989 - 1990 - 1991 - 1992
1993 - 1994 - 1995 - 1996 - 1997- 1998 - 1999 - 2000 - 2001 - 2002
2003 - 2004 - 2005 - 2006 - 2007 - 2008 - 2009 - 2010 - 2011 - 2012
Vol. I (1973)
No. 1
D.H. Lawrence Special Issue
No. 2
Jonas Mekas Interview; Herman Weinberg; Neil Isaacs; Edward Murray
No. 3
Andrew Sarris Interview, Pt. 1; T.J. Ross on Truffaut; James Naremore on
Huston
No. 4
Shakespeare on Film I
Vol. II (1974)
No. 1
Sarris Interview, Pt. 2; Eidsvik; Vivian Sobchack, Death in Venice
No. 2
Julian Smith and others on Hawthorne; M. Yacowar on Group Stereotyping;
A. Zambrano and others on Dickens
No. 3
Julian Smith on Orson Welles; Edward T. Jones and Irene Atkins on
Gatsby
No. 4
Graham Greene Special Issue
Vol. III (1975)
Nos. 1, 2, 4 - OUT OF PRINT
No. 3
T. Sobchack on Genre Film; M. Anderegg on Conrad and Hitchcock
Vol. IV (1976)
No. 1
Billy Wilder Interview; J. Schultheiss on Screenwriters; Giannetti on
Zinnemann
No. 2 - OUT OF PRINT
No. 3
Stephen Bowles on The Exorcist and Jaws; Yacowar on Hawks
No. 4
Peter Watkins on Punishment Park; Herman Weinberg "On Style"
Vol. V (1977)
Nos. 1, 4 - OUT OF PRINT
No. 2
John Schlesinger Interview; Atkinson on Last Tycoon; Gomez
on Performance
No. 3
Allen Thiher on "Early Truffaut"; John Snyder on the Spy Story
Vol. VI (1978)
Nos. 1, 2 - OUT OF PRINT
No. 3
Altman and Kopit; Buchan and Hitchcock; Wodehouse; Fitzgerald; West;
D.W. Griffith; and Don Siegel
No. 4
Science Fiction Special Issue: Robert Wise Interview; Essays on Star
Wars, The Man Who Fell to Earth, Gravity's Rainbow
Vol. VII (1979)
Nos. 1, 2, 3 - OUT OF PRINT
No. 4
Polon Interview-Essay; Deer Hunter; Murnau, Marsha McCreadie on
Julia
Vol. VIII (1980)
No. 1
British Directors: Clouds of Glory, Third Man,
Schlesinger, Richardson, Anderson
No. 2
European Directors: Truffaut, Bergman, Fellini, Ridley Scott
No. 3
Genre and Theory: J. Telotte on the Horror Film; A. Gordon on Close
Encounters; Eberwein on Point of View
No. 4
Brook's Lear; Zeffirelli's Shrew; Woyzeck/ and Kaspar
Vol. IX (1981)
No. 1
Brechtian Devices in Culloden; Carrie, Daisy
Miller, Day of the Locust
No. 2
Thomas Hardy on Film: Tess and Madding Crowd; Decor
as Theme in Clockwork Orange; Kazan's Pinky
No. 3
Antonioni's Eclipse; Herzog's Woyzeck; Frank Capra
Interview; Two Treatments of The Long- Distance Runner
No. 4
Wise Blood; Providence; Barry Lyndon; Weir on Gallipoli;
Streetcar Named Desire; and Oz Revisited
Vol. X (1982)
No. 1
Bruce Kawin on self-consciousness; Proust and Pinter; Unamuno and
Bergman; Lewton and Stevenson
No. 2
Ragtime; Cannery Row; French Lieutenant's Woman; René Clair
interview; Cocteau; Fellini
No. 3
Genre Issue, with bibliography; Film and Classical Genre; allegory and
science fiction
No. 4
Interviews with Fellini, Syberberg, Rohmer, Leacock, and Manoulian
Vol. XI (1983)
No. 1
Ordinary People; Deer Hunter; H.D., Agee and Crane; Capra and
Altman
No. 2
Henry James on Film; Rohmer's Perceval; Alan Sharp Interview;
Lubitsch and Wilde; Richardson; Visconti
No. 3
Shakespeare on Film IV
No. 4
British Issue: Roeg, Hudson, Richardson, Hitchcock. Interviews: Peter
Watkins and Christopher Miles
Vol. XII (1984)
No. 1
The Shining; Saboteur; Bertolucci; Bergman; Adapting Zola
No. 2
French Cinema: Truffaut, Cocteau, Clair, Duras. Daniel Boulanger
Interview. Also: Rohmer and Arrabal
No. 3
Chaplin and Woody Allen; The Glass Key; Crossfire; The Trial; Double
Indemnity
No. 4
Dmytryk Interview; French Lieutenant; Wise Blood; Lolita;
Monroe as Sex Symbol
Vol. XIII (1985)
No. 1
E. Ann Kaplan on Hemingway and Hollywood; Morris Beja on Orson Welles;
Griffith and Hardy; Doctorow; Cummings; Visconti
No. 2
Bergman, Hawks, Kurosawa, Woody Allen; Shakespeare, Dickens, James M.
Cain
No. 3
Genre Issue: Wes Craven on Horror; Comedy (Marx Bros., Zelig);
SciFi (Blade Runner)
No. 4
German Cinema: Schlöndorff, Herzog, Wenders, Fassbinder, Lang's
Siegfried
Vol. XIV (1986)
No. 1
DeMille's Autobiography; Michael Pursell on "Screenspeak"; Marguerite
Duras's Le Navire "Night"; Maya Deren, Imagist; Royal
Brown on Vertigo; Thomas Leitch on Secret Agent and Sabotage; Fort
Apache, the Bronx; The Black Hole
No. 2
Genre Issue: Texas in the Movies; Ford's Military Trilogy; Blade
Runner, The Shining, Raging Bull, et al.
No. 3
Passages to India; H.G. Wells, Science Fiction + Cinema; Fellini's 8
1/2; Gal Young Un
No. 4
Shakespeare, Theatre, Film, and Television; Shaun Sutton Interview;
Zeffirelli's Romeo and Juliet; Two Lears; Comedy of Errors;
Macbeth; Amadeus
Vol. XV (1987)
No. 1
Marcela Fernandez Violante Interview; Fowles; Conrad; Henry James;
Lean's Zhivago; Vonnegut; Bierce; Hitchcock
No. 2
The Mission and Robert Bolt; The Fellini World; Herzog's Stroszek
Narrative Innovation in Edvard Munch; Bergman's Persona
No. 3
Breaker Morant; The Road Warrior; Eastwich; Rashomon; Kiss of
the Spider Woman; Woody Allen's Comic Irony
No. 4
Interview: Stanley Kauffmann; Modern Times; Murder My Sweet; Double
Indemnity; Fiction and Film Bibliography
Vol. XVI (1988)
No. 1
The Searchers; Peckinpah's Heroes; Kazan as Auteur; Woody Allen's
Purple Rose and Hannah and Her Sisters; The Night of
the Hunter
No. 2
The Last Tycoon; Blue Velvet; American Gigolo; The Day of the Locust;
The Maltese Falcon; Michael Arlen Interview
No. 3
Narration in French Lieutenant's Woman; Performance in Diva;
Autobiography in Bergman; Adaptation of Cyrano de Bergerac; American
Friend; Marquise of O; Death in Venice; Towards a Theory of
Shakespeare on Film
No. 4
Focus on Vietnam Films and Full Metal Jacket
Vol. XVII (1989)
No. 1
Horton Foote's Career; J. Telotte on Film Noir; Woody Allen,
Chaplin, Hitchcock, Lumet
No. 2
Robbe-Grillet Interview; The Dead, Maurice, Sammy & Rosie; Magic
Realism on Film
No. 3
Foreign Cinema: Von Trotta, Herzog, Duvivier, Wertmüller, et al.
No. 4
American Cinema: The Accused, Heaven's Gate, Grapes of Wrath, Sierra
Madre, Maltese Falcon
Vol. XVIII (1990)
No. 1
Blade Runner Issue
No. 2
Silent Cinema Issue: D.W. Griffith, Fritz Lang, Erich von Stroheim, et
al.
No. 3
Cult Issue: Blue Velvet, Casablana Remakes & Fanzines
No. 4
Serialism in Robbe-Grillet; Tin Drum; Berlin Alexanderplatz;
Mephisto; Wenders's Truffaut; Tati; Black Identity in Australian
Films
Vol. XIX (1991)
No. 1
Drama into Film Issue: Picnic (interview essay), Soldier's Story;
Death of a Salesman, Miss Julie, Caberet, Valmont Rednix; Wilde and
Lubitsch
No. 2
Comedy/Woody Allen Special; Back to the Future; Joseph Andrews;
Chaplin and Brecht
No. 3
American Literature and Film: The Natural, The Color Purple, Cross
Creek, Huston's Volcano, Close Encounters, The Big Sleep, Angel
Heart
No. 4
Empire of the Sun, Daisy Miller, Shop on Main Street, Hitchcock (Psycho
and Shadow of a Doubt), Kaufman/Kundera, Dona Flor, Wings of
Desire, Chekhov Adapted
Vol. XX (1992)
No. 1
Fitzgerald & the Dream Factory; David Lean; Altman Interview; Scorsese;
Heartland; Rashomon; Ontology of the Screenplay; Teenpix
No. 2
Dream Factory II; Jane Eyre Transformed; Buñuel; Wenders; Wadja, et al
No. 3
Special Vietnam Issue
No. 4
Shakespeare Issue
Vol. XXI (1993)
No. 1
Interviews with Harold Pinter, Clint Eastwood, and Gene Hackman;
Mazursky's Tempest; Satanic Verses as Cinematic Narrative; BBC's
Henriad; Damon Runyan; Jack Clayton; Jane Eyre
No. 2
Australian Cinema Issue, Edited by Brian McFarlane
No. 3
Roman Noir/Film Noir; Third Man; My Left Foot; Singing Detective;
Hud; Himmo, King of Jerusalem
No. 4
Twin Peaks (xerox copies available at $3 each)
Vol. XXII (1994)
No. 1
Wayne Wang interview (Joy Luck Club); Basic Instinct; The
Player; Batman Recycled; Buñuel's Wuthering Heights; The Moderns;
Cuckoo's Nest; Cabaret; Shadows of Forgotten Ancestors
No. 2
Drama (Streetcar, Long Day's Journey, Steel Magnolias);
Shakespeare (Ran, Macbeth, Henry V); Zeffirelli
No. 3
King Lear & Fisher King; Karel Reisz; Sam Fuller; Snake Pit;
Stagecoach
No. 4
Wajda Interview; Joan of Paris; Wild River; Jules et Jim;
Thousand Pieces of Gold; Buñuel's Bourgeoisie; Daisy Miller;
Devil and Daniel Webster
Vol. XXIII (1995)
No. 1
Tom Whalen on Pulp Fiction; Michael Dunne on Wild at Heart;
Frank Manchel on The Shining; "Open Narrative" in Robbe-Grillet
and Wenders
No. 2
Special Issue: 100 Years of Cinema, with Kevin Brownlow, Charles Musser,
Eileen Bowser, Richard Kozarski, Greg Black, et al, Edited by John
Tibbetts
No. 3
Bernard Dick on Femmes Fatale; Updike at the Movies; André Bazin on
Pagnol; Sanitizing Zola, et al
No. 4
The Restored Films of Buster Keaton; The Crying Game and
Hitchcockian Romance; Icon and History in Frances, et al.
Vol. XXIV (1996)
No. 1
Civil Rights & Baby Doll; Spielberg's Purple; Racism in The
Letter, et al.
No. 2
The Blacklisted Abraham Polonsky; Scott Simmon on Wyatt Earp; Ronald
Librach on Life Lessons; Steven Gale on Maltese Falcon, et
al.
No. 3
Herzog's Woyzeck; Murnau's Nosferatu; Clouzot's
Diaboliques; Saura's Carmen
No. 4
Transcultural Translation in Joy Luck; Year of Living Dangerously;
Close Encounters; Woody Allen, et al.
VOL. XXV (1997)
No. 1
Tom Leitch on Forrest Gump; David Lavery on Forrest Gump;
Michael Dunne on Scarlet Letter; Charles Maland on Chaplin;
Tom Whalen on Keaton; Chris Hudgins on Lolita
No. 2
Shakespeare Issue: Branagh's Hamlet; Jarman's Tempest;
Loneraine's Richard III; Greenaway's Prospero; et al.
No. 3
Boyle's Trainspotting; Campion's The Piano; Nazi Reality
in Ohm Krueger; Stone's Doors; The Bostonians, et al.
No. 4
Genre Horror Show: Barry Grant's Bibliography of Horror; also Val
Lewton, David Lynch, Kubrick's The Shining
VOL. XXVI (1998)
No. 1
English Patient; Shadowlands; Ragtime. Western Myth;
Unforgiven; SciFi; Blade Runner; Pulp Fiction
No. 2
Godard; Varda; Duras; Jane Campion; Camille Claudel - Biography
as Melodrama
No. 3
Age of Innocence; Sheltering Sky; Third Man; Dressed to Kill/Blow
Out; Jacob's Ladder; Beguiled; Bullets Over Broadway
No. 4
English Patient, Revisted; The Oak; Conrad's Nostromo;
Antonioni; René Clément & Lewis Carroll; French Lieutenant's Woman
VOL. XXVII (1999)
No. 1
T. Leitch on the Political Hitchcock; Michael Marsden on Hondo; Sound
and the Fury; Filmic Readings of Edith Wharton; Pinter's
Last Tycoon; The Usual Suspects; End of the Road; Oprah's Beloved
No. 2
Hitchcock's Women on Hitchcock; Americanization of Bennett's George
III; Potter's Orlando; Martha Coolidge Interviewed; Fellini's
Casanova; Polanski's Tess; Intertextuality in
Shadowlands; Gender in The Cook, The Thief; Pride and Prejudice
on A&E
No. 3
Malick's Thin Red Line; Conrad's Secret Agent; Ang
Lee's Ride with the Devil; Nuclear Frisson; Kurosawa & Gogol; The
Fountainhead; Cyrano as Comedy; Brazilian Cinema
No. 4
Pomo Fargo; L.A. Confidential; Godard; Dos Passos;
King's Row; Women's Cinema; etc.
No. 1
The Third Man; Herr's Dispatches; Berkeley Square/Sense
of the Past; Company of Wolves; Mary Reilly; Weir's Fearless;
Mamet's Screenplays; Manchurian Candidate; Cain's
Postman; Dinesen Stories
No. 2
Shakespeare on Film 2000
No. 3
Brian McFarlane: "It wasn't like that in the book"; Pasolini's Medea
& Edipo Re; Pagnol +Sophocles, Manon +Oedipus; Kieslowski's Three
Colors; Truffaut + James, etc.
No. 4
Hitchcock's "Terrible Mothers"; Birds; Psycho; Sabotage; Murnau's
Sunrise; Ambersons; Wizard of Oz; Barton Fink; Camp, Parody & The
Fantastic
No. 1
Alan Parker (3 essays), Terrence Malick, Woody Allen, Gump,
"Bitextual Pleasures"
No. 2
Shakespeare Century: Ken Rothwell's Survey of a Century of Scholarship +
9 essays
No. 3
Terence Davies Interview. J. Telotte on Heinlein, Conrad and Kidron,
Kubrick and Thackeray, African-American Writers
No. 4
Kubrick Issue
No. 1
André Bazin on Literary Adaptation (6 translated reviews); Chekhov’s Uncle Vanya; Benigni’s Life Is Beautiful; Campion’s The Piano; Murnau’s Nosferatu; Wenders’s Wrong Move
No. 2
Fellowship of the Ring; Critical Response in England to Room at the Top; La Dentellière; Regeneration; Persuasion; The Children of Heaven (Neorealism, Iranian style); Almodóvar’s Carne trémula; Dead Man Walking; Cronenberg’s Crash; Ohm Krüger; Cabeza de Vaca; Sugar Cane Alley
No. 3
Shakespeare Issue
No. 4
August Wilson Interview; The Heiress; Isabel Archer; Pasolini’s version of Canterbury Tales; Fellini and Masina; Coppola’s Byronic Dracula; Cruel Intentions; Bulworth; Sunset Boulevard; Ghosts of Mars
No. 1
Orson Welles’s Presence in Stevenson’s Jane Eyre; Manhunter; Rodgers and Hammerstein’s “Chopsticks” Musicals; Sleepy Hollow (4 essays); Oz’s Panther in the Basement; The Hurricane; An Approach to Film Study
No. 2
Theorizing Adaptation, Temporality, and Tense; The Field; The English Patient; La Bête Humaine and Cinécriture; Eréndira; Chinese Cinema: For Fun and The Killer; Alexie’s Smoke Signals and The Lone Ranger and Tonto Fistfight in Heaven; Kieslowski’s Red and Camus’s The Fall; Daniel; Karel Reisz interview
No. 3
Madame Bovary; Metropolitan and Clueless; Mansfield Park (2 essays); The Nightcomers; House of Mirth; The Butcher Boy; Tribute to Dorothy Johnson and Her Cold War-Era Westerns; Howards End; The Sweet Hereafter; Vonnegut and Mother Night
No.4
Kauffmann on Shaw; Hitchcock without Hitchcock; Hitchcock and Mamet; Strangers on a Train; Kubrick and Schnitzler; The Great Gatsby (2 essays); Blue Velvet and Postmodern Parody; Brownlow and Winstanley
No. 1
Opera on Film; The Story of Louis Pasteur and Hurston’s Their Eyes Were Watching God; The Cider House Rules; Bringing Out the Dead; The Treasure of the Sierra Madre; Red River; Tarantino’s Ultimate Professional; The Day of the Locust; Audrey Rose; Possession
No. 2
Shakespeare Issue
No. 3
Amadeus, The Wings of the Dove, The Passion of Joan of Arc/The Messenger, Blade Runner, The Sent-Down Girl, I racconti di Canterbury, A bout de souffle, Annie Hall, Moby Dick, Dracula, The Passion of Mel Gibson
No. 4
Brian Aldiss interview, Patricia Rozema interview, Hanif Kureishi's films and fiction, La Curee, Last Year at Marienbad, The North China Lover, Oedipus Rex, Nostalghia, How to Make an American Quilt, Editorial by Jim Welsh: "The Last Word, after 32 Years, 128 Issues, and "Conversations" with Remarkable People
No. 1
The Third Man and Dracula, Frances, Jon Dos Passos and Bazin, Cinematic Techniques in Modernist Poetry, Spring Silkworm, David Copperfield, Great Expectations, Troy
No. 2
Shakespeare Issue
No. 3
Devil in a Blue Dress and L. A. Confidential, Midnight in the Garden of Good and Evil, Star Trek and Star Wars, Trifles and Legally Blonde, Forbidden Games, Under the Sand, Venice in Film, Review-Essay of Robert Stam volumes on adaptation,, Review of Krin Gabbard's Black Magic
No. 4
No. 1
Screen Narratives, Do the Right Thing, Tigerland and We Were Soldiers, Signs, Eyes Wide Shut, SImøne, The Godfather Part III, Scarface and The Great Gatsby, Book Review: Imagination in Transition: David Mamet's Move to Film
No. 2
Ran, Throne of Blood,, Shakespearean Offshoots, Ophelia, Hamlet, The Tempest, Scotland, PA, Cinematic Apocalypse in Shakespeare films
No. 3
Interview with Robin Swicord, A Tale of Two Cities, Tess and Jude, Washington Square, Artemisia Gentileschi, Sunday's Children, Dark City, The Stepfather
No. 4
Bazin reviews in translation (Jacques Becker), The Wings of the Dove and The Golden Bowl, "Postmodern Mirrors," The Rose Tattoo, Max Ophuls adaptations, Les mains d'Orlac, Ashik-Kerib, Hyenas, Bride and Prejudice, Book Review: Engaging Film Criticism
No. 1
Richard Linklater interview, Apocalypse Now Redux, Taboo (Gohatto), The World of Henry Orient, The Claim and The Mayor of Casterbridge, Looney Tunes, Hannibal, Gone with the Wind, Book Review: Dames in the Driver's Seat: Rereading Film Noir, Book Review: 1000 Films to Change Your Life
No. 2
The Revenger's Tragedy, King Lear as Western Elegy, King Lear as Melodrama, Radford's The Merchant of Venice, Prospero's Books, Shakespeare and Bataan, Brook's King Lear, "Filmi" Shakespeare, Shakespeare Across Time and Media, Latin American Shakespeares
No. 3
Truffaut Rewrites Hitchcock, Truffaut's Fahrenheit 451, The Last Metro and Uranus, The Railway Children, The Virgin Suicides, Film Noir, Adapting Genesis, Le Rouge et Le Noir, Beowulf, Book Review: A Theory of Adaptation
No. 4
Liberty Heights, The Matrix Trilogy, The War of the Worlds, The Woman in the Window and Scarlet Street, An Injury to One, Frederick Jackson Turner and John Ford, The Grapes of Wrath, The Shape of Things
No. 1
Materializing Adaptation Theory, Robin Hood, Ruby in Paradise, Orlando, Pride and Prejudice, The Lover, The Life Aquatic with Steve Zissou and Moby Dick, Powell and Pressburger's A Canterbury Tale, Book Review: Film Adaptation & Its Discontents, Book Review: The Films of Robert Wise
No. 2
Annual Shakespeare Issue.
No. 3
The Hollywood Novel, Fascist Man in Fight Club and Gladiator, Layers of Illusion in Text and Film (An Italian Perspective), Smooth Talk, The Sweet Hereafter, Full Metal Jacket, Book Review: The Literature/Film Reader and The Cambridge Companion to Literature on Screen, Book Review: Politics, Desire, and the Hollywood Novel, Book Review: Adapting Henry James to the Screen, Book Review: Clint Eastwood, Actor and Director
No. 4
Cabeza de Vaca, "The Screenplay, Imagism, and Modern Aesethetics," Tristan and Abismos de Pasión, Le Temps qui reste, Gone to Earth, Adaptation, Roy Andersson and César Vallejo, Book Review: The World and Its Double: The Life and Work of Otto Preminger and Otto Preminger: The Man Who Would Be King
No. 1
Huck Finn, Interview with Paul Auster, Auster's films from Smoke to The Book of Illusions, Three Billy Connolly movies, Book Review: Adaptation: The Journal of Literature on Screen Studies and Journal of Adaptation in Film and Perfromance, Book Review: Monstrous Adaptations: Generic and Thematic Mutations in Horror Film; Book Review: Britain Colonized: Hollywood's Appropriation of British Literature
No. 2
Annual Shakespeare Issue.
No. 3
The European Road Movie; William Wyler, Gregg Toland, and Lillian Hellman; A Raisin in the Sun; Far from the Madding Crowd; Filming Los Angeles; Joel and Ethan Coens' Neo-Classical Neo-Noirs; Fellini's Casanova; Book Review: Reclaiming Adat: Contemporary Malaysian Film and Literature; Book Review: In/Fidelity: Essays on Film Adaptation
No. 4
In Cold Blood; Keita!; Notting Hill; The Double Life of Véronique; Huston's The Dead; The Commercial Novelization; Book Review: Shakespeare and Film: A Norton Guide; Book Review: All My Loving? The Films of Tony Palmer
No. 1
Interview with Hans-Jürgen Syberberg; The Shape of Things; Jane Eyre in the Postmodern; Interview with Ian McEwan; Fidelity; Ulysses' Gaze and The Weeping Meadow; Book Review: The Cinematic Jane Austen: Essays on the Filmic Sensibility of the Novels; Book Review: Film Sequels: Theory and Practice from Hollywood to Bollywood; Book Review: Teaching Literary Theory Using Film Adaptations; Conference Report: Cormac McCarthy in Warwickshire
No. 2
Uncle Vanya, Marie Antoinette, V for Vendetta, Gogol's "The Overcoat," The Taming of the Shrew, Book Review: Ancient Greece in Film and Popular Culture
No. 3: Special Issue: LFA 2009 Conference
We Want Roses Too, "The World War II Video Game," "Reinventing the Inhuman," Sweeney Todd, The Diving Bell and the Butterfly, Beckett and Technology, Book Review: Adaptation in Contemporary Culture: Textual Infidelities, Book Review: No Country for Old Men: From Novel to Film
No. 4
Oliver Twist, Interview: Tom Perotta, Chickie, Bram Stoker's Dracula, Hiroshima mon amour, Book Review: African Film and Literature: Adapting Violence to the Screen, Book Review: Redefining Adaptation Studies, Book Review: The Pedagogy of Adaptation, Book Review: Some Like It Wilder: The Life and Controversial Films of Billy Wilder
No. 1
Holly Black interview, Mike Leigh interview, Daniel Woodrell interview, Peter Brook's King Lear, Four Versions of The Maltese Falcon, Book Review: English Filming, English Writing; Book Review: History Goes to the Movies: Studying History on Film; Book Review: Adaptation in Contemporary Culture: Textual Infidelities; Beyond Adaptation: Essays on Radical Transformations of Original Works; Adaptation Studies: New Approaches; Screen Adaptation: Impure Cinema
No. 2
Fodor's Hamlet, Greenaway’s Prospero’s Books and The Tulse Luper Suitcases, Hickox’s Theatre of Blood, Branagh’s Hamlet, Temple’s The Filth and the Fury, Welles’s Macbeth
No. 3
"Hitchcock's Terrorists," Mamet's Screenplays, Forbidden Games, "Experimental Adaptation Studies," How It Feels to Be Run Over, American Psycho, Book Review: Cinema in an Age of Terror: North Africa, Victimization, and Colonial History, "Kenneth Sprague Rothwell: A Remembrance and Valediction"
No. 4
"A Salute to Thomas Erskine," "Dr. Thomas Leonard Erskine Remembered," Borom Sarret, Green Eyes, The Line of Beauty, The Name of the Rose, Masterpiece Theatre, Book Review: Roll Away the Reel World: James Joyce and Cinema, Book Review: Film Adaptation in the Hollywood Studio Era and Adapted for the Screen: The Cultural Politics of Chinese Fiction and Film
No. 1
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