Adam Wood, Assistant Professor of English
Story by Carlena
Mattiello
"The first job I had, I got when I was fifteen,”
he
recalls. “I worked at some pizza joint and I stirred
pizza sauce with my arm. Literally.”
Sound like a dream job for the future?
No? Well, having his arm in sauce wasn’t exactly what
Dr. Adam Wood, a new professor of English, had in mind for his
future either. “It lasted about seven months,” he
laughs.
As it turns out, Wood spent his childhood primarily in
the south, mostly in Northern Virginia—not typically
what one would consider a prime location for a “punk-rocker” of the '80s. However, he
spent a great deal of time just outside Washington D.C.,
witnessing first-hand the racial and class tensions that
resulted in an outpouring of culturally significant,
societal controversies. It was during this rapidly
changing time in U.S. history when he found himself
consumed with the idea of understanding why people were
inherently drawn to violence. Thus, he set out to find
just from where this seemingly natural behavior came.
His curiosity with human psychology soon coupled with
his deep interest in fiction -- novels with closely related
themes. “I’m mainly interested in violence in American
naturalism," he explains, "[and] have long been fascinated with the
ability of the written language to convey such power.” His thorough comprehension and true
appreciation of portrayal through the use of such
poetic, descriptive and thoughtfully chosen words
pointed him in the direction, and got him to, his
future.
Indeed, Wood has come a long way from the sauce-stirring
days. IHe is already in his tenth
year of teaching. His ability to inspire open-ended
discussion and challenge the viewpoints of others made
the profession a natural fit. “I graduated with my Ph.D.
from Georgia State University two years ago,” he says.
“I was a visiting instructor at Georgia State University
for a year and a half and spent last spring semester at
Albany State University, an Historically Black
University in Albany, Georgia.”
Now he is here at SU—and he wouldn’t change that for the
world. “I love it here,” he says. “There’s something to
be said for a small university; I enjoy being able to
see students mature and develop in their careers whereas
I may not be able to do the same at a larger school.”
He also loves what he teaches. “After 1865, American
literature gets darker and more violent, more focused on
the seedy underbelly of existence,” he explains “It is
also in this timeframe when the philosophical influences
of Marx, Nietzsche, and Freud begin to emerge in
literature.” Talk about right up his alley. So, what are
students expected to read? “Good books. Lots of Good
books,” he smiles.
Although Wood expects the best from his students, he
confesses he relates to them much
more than they might think. At one point, he flunked out of
college. However, the experience helped him truly
understand freshmen and "how they want to do everything
but go to class." But, he warns, he "doesn't cut slack
because of it."
"I hate it when student’s don’t read,” he comments. Not
reading and close-mindedness are surefire ways to flunk.
Either you read or you don’t—it’s a pretty easy fix;
however, combating close-mindedness tends to create a
little more of a challenge.
In an effort to broaden horizons, Wood encourages
multiple perspectives and tries to de-familiarize his
students with a variety of common theories. He wants his
students to look outside of their world, but more
importantly, to "look outside of their personal
perspective."
"Basically, I want [my students] to find reasoning
behind why they think the way they do, behind today's
state and the importance of historical conditioning with
the help of these powerful literary works," he explains.
With a fascination for such power, it's no surprise
music, too, consumes a large part of Wood’s life. He has
always had a genuine interest in the music scene; he
himself plays the guitar and often writes song in his
spare time—songs for the folk rock band he is in. Folk
rock? What happened to the hard-core, hear-me-roar
“punk-rocker” of the 80s? He laughs. "I’d like to think
I traded in that anger for a general sense of
frustration," he admits. Although his taste in music has
changed over the years, his passion for the art form has
not. “I guess you could say I write for and play in the
folk/Americana genre,” he says, adding that he also
enjoys jazz, dropping Coltrane as a particular favorite.
He boasts of a piano in his living room—a piano he
leaves untouched.
For a man who describes himself as a “carnivorous
Americanist,” one who is drawn to conflict and violence
in literary works, he tends to live a modest, mellow
lifestyle. He currently lives with his wife and two
cats. “I also have fish tank, but I don’t have any
fish,” he laughs. It’s probably sitting on the piano.
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